8/1/2023 0 Comments Three primary colors![]() Oil on canvas - Stedelijk Museum, Amsterdam At the time he painted this composition, De Stijl was finding its own unique voice paintings, furniture designs, and buildings produced by those associated with the movement communicated how lines and colors should interact, and how a work's appearance is just as essential as its function. ![]() As in the present example, he repeatedly ventured beyond the three primary colors, including a triangle of grey in addition to the primary colors, white, and black. Equilibrated relations are not an ultimate result." The titles of his Counter Compositions refer to the fact that the lines of the compositions are at a 45-degree angle to the sides of the picture rather than parallel to them, resulting in a newly energized relationship between the composition and format of the canvas. While van Doesburg continued to make use of horizontal and vertical lines, he now prioritized the diagonal line he described Elementarism as "based on the neutralization of positive and negative directions by the diagonal and, as far as color is concerned, by the dissonant. Painted wood - Auckland Museum, New Zealandįirst introduced in 1924, van Doesburg's Counter Compositions - his signature works - embody the artist's wish to move beyond the confines of De Stijl with his introduction of Elementarism. Emphasizing its manmade quality, Red and Blue Chair also notably avoids the use of natural form, which furniture designers tend to favor in order to emphasize the idea of physical comfort and convenience. ![]() The simple assembly Rietveld deployed was quite intentional as well he built the chair out of standard lumber sizes available at the time, reflecting his goal of realizing a piece of furniture that could be mass-produced as opposed to hand-crafted. Every color, line, and plane is clearly defined, as if each comprised its own work that just happened to be used for a piece of furniture. Rietveld envisioned a chair that played with and transformed the space around it, consisting of rectilinear volumes, planes, and lines that interact in unique ways, yet manage to avoid intersection. Originally designed in 1918 but not fully realized until 1923, when it incorporated the characteristic De Stijl scheme of primary colors, Red and Blue Chair is one of the canonical works of the movement. Ultimately, De Stijl's continuing fame is largely the result of the enduring achievement of its best-known member and true modern master, Piet Mondrian. Even though De Stijl artists created work embodying the movement's utopian vision, their realization that this vision was unattainable in the real world essentially brought about the group's demise.Expressing the artists' search "for the universal, as the individual was losing its significance," this austere language was meant to reveal the laws governing the harmony of the world. Among the pioneering exponents of abstract art, De Stijl artists espoused a visual language consisting of precisely rendered geometric forms - usually straight lines, squares, and rectangles-and primary colors.Viewing art as a means of social and spiritual redemption, the members of De Stijl embraced a utopian vision of art and its transformative potential. Like other avant-garde movements of the time, De Stijl, which means simply "the style" in Dutch, emerged largely in response to the horrors of World War I and the wish to remake society in its aftermath.De Stijl's influence was perhaps felt most noticeably in the realm of architecture, helping give rise to the International Style of the 1920s and 1930s. To this end, De Stijl artists turned their attention not only to fine art media such as painting and sculpture, but virtually all other art forms as well, including industrial design, typography, even literature and music. Promoting their innovative ideas in their journal of the same name, the members envisioned nothing less than the ideal fusion of form and function, thereby making De Stijl in effect the ultimate style. Led by the painters Theo van Doesburg and Piet Mondrian - its central and celebrated figures - De Stijl artists applied their style to a host of media in the fine and applied arts and beyond. Partly a reaction against the decorative excesses of Art Deco, the reduced quality of De Stijl art was envisioned by its creators as a universal visual language appropriate to the modern era, a time of a new, spiritualized world order. The Netherlands-based De Stijl movement embraced an abstract, pared-down aesthetic centered in basic visual elements such as geometric forms and primary colors.
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